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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院再会亡灵香站猩球崛起：新世界夏令营角色扮演杨光的快乐生活2013法式出口基和皮尔 第四季珊岛乐园裁缝师之家第二季借兵第八天2025穿越者第二季血色星期一流感我们的新时代镇魂街之热血再燃伟大的丹薇：冰川礼赞菲尔来蹭饭 第五季青春灰姑娘一封迟来的信（国语版）形如父子古惑仔之火拼街头大贏家格斗女王的争胜人生大班帧凶命中住定极地漫步无人机
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院再会亡灵香站猩球崛起：新世界夏令营角色扮演杨光的快乐生活2013法式出口基和皮尔 第四季珊岛乐园裁缝师之家第二季借兵第八天2025穿越者第二季血色星期一流感我们的新时代镇魂街之热血再燃伟大的丹薇：冰川礼赞菲尔来蹭饭 第五季青春灰姑娘一封迟来的信（国语版）形如父子古惑仔之火拼街头大贏家格斗女王的争胜人生大班帧凶命中住定极地漫步无人机