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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院深夜航班第二季生日愿望2025小叛逆黄桷树下的孩子们成就梦想来自谁的启示回火2他的秘密2025马克思·里希特 睡梦 音乐会阿卡普高 第四季警网擒凶鸡皮疙瘩(剧版)MR73左轮枪蝎子王5:灵魂之书鬼马天师八面威风二凤（国语版）我的日语老师洞窟科搜研之女20221999年中央电视台春节联欢晚会成名何价沉默的冰山视觉一夜你好，我们是欢喜天团你是我的天狐狸在手时光正好黑白英烈
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院深夜航班第二季生日愿望2025小叛逆黄桷树下的孩子们成就梦想来自谁的启示回火2他的秘密2025马克思·里希特 睡梦 音乐会阿卡普高 第四季警网擒凶鸡皮疙瘩(剧版)MR73左轮枪蝎子王5:灵魂之书鬼马天师八面威风二凤（国语版）我的日语老师洞窟科搜研之女20221999年中央电视台春节联欢晚会成名何价沉默的冰山视觉一夜你好，我们是欢喜天团你是我的天狐狸在手时光正好黑白英烈