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Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.小草影院韩国电影神马影院光棍影院星空影院康普茶天堂的祝福百年乡情第一季脱变 第二季马贩子科尔哈斯机不可失第一季盗门八将白宫风云第一季枕边有张脸我左眼见到鬼（粤语版）不许动外滩警事蹴鞠情归新泽西停尸房收藏枪支年代入侵地球ON 异常犯罪捜査官 藤堂比奈子重见天日东北警察故事2第一滴血2青春奏鸣曲她的眼光杀机黐线枕边人分流十二谭恐龙蛋极地反击恶缘
Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.小草影院韩国电影神马影院光棍影院星空影院康普茶天堂的祝福百年乡情第一季脱变 第二季马贩子科尔哈斯机不可失第一季盗门八将白宫风云第一季枕边有张脸我左眼见到鬼（粤语版）不许动外滩警事蹴鞠情归新泽西停尸房收藏枪支年代入侵地球ON 异常犯罪捜査官 藤堂比奈子重见天日东北警察故事2第一滴血2青春奏鸣曲她的眼光杀机黐线枕边人分流十二谭恐龙蛋极地反击恶缘