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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.小草影院韩国电影神马影院光棍影院星空影院影子杀人苗家儿女SAS：叛逆勇士 第一季迷失地铁画家村终极面试连体生命因爱动听斗爱生死航班那些年，我们一起追的女孩泰国版异教峰第二季大毁灭猎魂师我的可爱要过期了！？窒恋陆昭昭的刺客笔记男儿本色2009简谈关注者他告诉我的最后一件事第二季诸神混乱之女神陷阱初次，为了爱人体实验巴黎淘气帮幸福59厘米之北京门票红白蓝之蓝生命之源2000劫机事件假面骑士电王超电王篇
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.小草影院韩国电影神马影院光棍影院星空影院影子杀人苗家儿女SAS：叛逆勇士 第一季迷失地铁画家村终极面试连体生命因爱动听斗爱生死航班那些年，我们一起追的女孩泰国版异教峰第二季大毁灭猎魂师我的可爱要过期了！？窒恋陆昭昭的刺客笔记男儿本色2009简谈关注者他告诉我的最后一件事第二季诸神混乱之女神陷阱初次，为了爱人体实验巴黎淘气帮幸福59厘米之北京门票红白蓝之蓝生命之源2000劫机事件假面骑士电王超电王篇